XX ASR ADABIYOTSHUNOSLIGIDA MIF, MIFOPOETIKA VA NEOMIFOLOGIZM NAZARIYALARI
DOI:
https://doi.org/10.54613/ku.v19iB.1842Keywords:
mif, mifopoetika, neomifologizm, mifologik tafakkur, arxetip, mifologema, ramz, mifik metod, modernizm, mualliflik mifi, badiiy matn.Abstract
Mazkur maqolada XX asr adabiyotshunosligida mif, mifopoetika va neomifologizm nazariyalarining shakllanishi, rivojlanish bosqichlari hamda badiiy tafakkurdagi funksional xususiyatlari tadqiq etiladi. Mifning ramziy, arxetipik, ritual, strukturaviy va semiotik talqinlari E. Kassirer, K.G. Yung, M. Eliade, K. Levi-Stross, R. Bart, N. Fray hamda E.M. Meletinskiy kabi olimlarning ilmiy qarashlari asosida yoritiladi. Tadqiqotda mifopoetik tahlil metodidan foydalanilib, mif, mifopoetika va neomifologizm tushunchalarining nazariy chegaralari hamda o‘zaro munosabati aniqlashtiriladi. J. Joysning Ulysses, T.S. Eliotning The Waste Land, F. Kafkaning The Metamorphosis hamda T. Mann asarlari misolida an’anaviy mifologik syujet, obraz va motivlarning XX asr adabiyotida qayta semantizatsiya qilinishi tahlil etiladi. Tadqiqot natijasida mifning zamonaviy adabiyotda tayyor syujet manbai sifatidagi funksiyasidan badiiy voqelikni modellashtiruvchi strukturaviy va semantik mexanizm darajasiga ko‘tarilgani asoslanadi. Neomifologizm esa an’anaviy miflarning yangi tarixiy-madaniy sharoitda transformatsiya qilinishi va individual mualliflik mifologiyasining shakllanishi bilan tavsiflanishi aniqlanadi.
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